I’m excited about our exhibit opening at the Carriage Factory Gallery in Newton, Kansas on Saturday, July 20, 6-8pm, with artist talks at 7pm. All are welcome! The exhibit is with my brother Scott, Lawrence-based artist Kim Brook, and Salina-based artist Carolyn Wedel. Carol, Scott, and I have roots in Newton!
Art for “Just Imagine” exhibit
I made this piece for the recent online exhibit, Just Imagine, that Cooperation Humboldt’s Arts and Cultural team (based in California) debuted during the Arts Dismantling Capitalism Symposium, “to bring together our local community and beyond to collectively create a more just, regenerative economy and society.” Â
Happy New Year, 2021!
Blog 5: Poetic Language
This is the fifth and last in a series of blogs about my current exhibit, Sound the Climate Alarm, on display at the Lawrence Arts Center now through Dec. 21, 2020. Here are links to the first four:
Blog 1: Artist Statement: Sound the Climate Alarm
Blog 2: Roots of Sound the Climate Alarm
Blog 4: Making Art in Covid-times
Poetic Language
Sound the Climate Alarm is, in broad terms, my response to climate change, animal extinction, barriers, border walls, and the pandemic. I was happy to discover the writer and poet Mathew Zapruder’s description of how he views the language of poetry, because I think it is a helpful way to think about the images in my exhibit, too.
Zapruder talks about poetry as “language freed from utility.†He says poetry is how we “get to the truth that is beyond our ability to articulate.†So where, in my drawings, chickadees sing razor wire, there’s a cardinal honking, or a paper boat is lit on fire, I think these are the kinds of images Zapruder was talking about, intended to “produce an effect in us, rather than to communicate information.â€
So, while I am working with specific themes in my art, my images are intended less to communicate information than to evoke impressions, inspire imagination, and spark concern.
Visit my exhibit in-person at the Lawrence Arts Center, now through Dec. 21, 2020. Original art and artist prints, suitable as gifts, are available for purchase. Hours are M-Th 9am-9pm, F-Sa 9am-7pm, and Su 1:30-7:30 pm. As Covid-19 rages on, the Arts Center is pretty low-key these days and it is likely that during a random visit to my exhibit you may find yourself alone in the space. If you would prefer a virtual tour, scroll down the page at this link, courtesy of the Lawrence Arts Center.
Blog 4: Making Art in Covid-times
This is the fourth in a series of blogs about my current exhibit, Sound the Climate Alarm, on display at the Lawrence Arts Center now through Dec. 21, 2020. Here are links to the first three:
Blog 1: Artist Statement: Sound the Climate Alarm
Blog 2: Roots of Sound the Climate Alarm
Making Art in Covid-times
My most recent work for this exhibit includes art that I have made during the pandemic. I am fortunate and, yes, privileged, to be mostly working at home. During this time, I’ve created two of my favorite pieces in the show.
One is a drawing originally intended to celebrate renewable energy, titled Light (above). I like this drawing because through the creative process it became more complicated than I had first imagined. Instead of inspirational, as I’d initially intended, the windmills and power lines became oddly dark and industrial, not the utopian renewable energy future I had hoped for. And the mixing of birds and windmills in the piece led one viewer to tell me about bladeless windmills – I’d never heard of them. Similarly, the archway of drawn light bulbs, meant to look radiant, includes dated-looking bulbs, not energy efficient—what was I thinking? Yet the incongruity in the drawing feels right during Covid-times, because nothing now is right, and we’ll never have a climate change-free utopian future or the perfect technology to make it so, but, as in this drawing, we still should try.
I also created a collage piece, titled Phoenix Rising (left), that merges silhouetted hands as birds rising from the archway made of orange and yellow thread, representing fire. This piece evolved over time. I didn’t know what it would be until I had painted and glued down several layers of cloth and thread. When I discovered the crux of what I wanted to make, I was very pleased.
Although these recent pieces are among my favorites in the show, I have also found Covid-times to be a difficult time to create art, especially on the theme of climate change.
It was hard for me to think about climate change with Covid raging. Early in the pandemic, I made a piece about Covid, the kind of piece that other artists were making too, a masked self-portrait (above). As I thought about including a piece about Covid in this show, I remembered the quote from climate activist Naomi Klein, which I used in Blog 3, that “every disaster contains every other disaster within it. Every fire is a conflagration of all the other fires.†And so, it seems. Climate change is likely to bring more pandemics; both climate change and pandemic disease bring greater harm to people already harmed by racism and economic inequality; and the ongoing crisis has destroyed the jobs especially of those who are already poor. An impending climate crisis, a raging pandemic, a painful economic crisis: disasters within disasters, fires within fires.
In my art-making world, Covid-days are long, but the days fly by. My creative process is like moving through molasses, and I suspect I’m not unique. Early on in the pandemic, I couldn’t get anything done. What I felt done with, though, was climate change as a theme, at least for a while, and done with Covid in my artwork, too. I wanted to make small drawings on paper. I would try to make a piece every day (that didn’t happen), and I wanted to experiment with gouache. I made seven little drawings as part of this goal, some with pen and some with a combination of pen and gouache. While these drawings didn’t overtly further my climate-related theme, making them was therapeutic, and I included them in my climate change show anyhow.
In my next and final blog in this series, I’ll conclude with some thoughts on poetic images, and on how I hope viewers will find my exhibit interesting to look at. Â
Visit my exhibit in-person at the Lawrence Arts Center, now through Dec. 21, 2020. Original art and artist prints, suitable as gifts, are available for purchase. Hours are M-Th 9am-9pm, F-Sa 9am-7pm, and Su 1:30-7:30 pm. As Covid-19 rages on, the Arts Center is pretty low-key these days and it is likely that during a random visit to my exhibit you may find yourself alone in the space. If you would prefer a virtual tour, scroll down the page at this link, courtesy of the Lawrence Arts Center.
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Blog 1: Artist Statement: Sound the Climate Alarm
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UPDATE: The exhibit “Sound the Climate Alarm” will be on display at the Lumberyard Arts Center in Baldwin City, Kansas, from Aug. 20 – Sept. 14, 2021. The public is invited to an exhibit reception on Sat., Sept. 4, 5 – 7pm. Gallery hours: Tues. – Fri. 1-4pm and Sat. 9am-noon.
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This is the first in a series of blogs about my current exhibit, Sound the Climate Alarm, on display at the Lawrence Arts Center now through Dec. 21, 2020. My first blog, below, includes the artist statement that accompanies the show. In subsequent posts, I will share about the themes, symbols, and ideas in my work, and how I came to these through the creative process.
Artist Statement: Sound the Climate Alarm
In my drawings, cardinals honk and chickadees sing razor wire. Death chases a prairie chicken with a blaring saxophone. Animals drawn from memory reveal the loss we find when we are without them. Origami cranes, an international symbol for peace, fly over walls and meander through chain link fences. The cardinal’s song is visually amplified as a message of hope and renewal. A car with loudspeakers blasts an unusual wish for the world. Mosaics portray archways as a symbol for barriers with a way to pass through. Less an attempt to teach than an effort to explore the emotional states connected with an awareness of climate change, animal extinction, and related social stresses, these emotionally packed drawings, collages, and mosaics express alarm, despair, joy and possibility. With a sense of beauty and compassion, my art encourages the viewer to “listen†with a heart open to creating a future where there is enough to share and compassion for all.
Visit my exhibit in-person at the Lawrence Arts Center, now through Dec. 21, 2020. Original art and artist prints, suitable as gifts, are available for purchase. Hours are M-Th 9am-9pm, F-Sa 9am-7pm, and Su 1:30-7:30 pm. As Covid-19 rages on, the Arts Center is pretty low-key these days and it is likely that during a random visit to my exhibit you may find yourself alone in the space. If you would prefer a virtual tour, scroll down the page at this link, courtesy of the Lawrence Arts Center.
Find all five of the blogs in this series at the following links:
Blog 2: Roots of Sound the Climate Alarm