Thanks to all who helped with the Free State Brewery mosaic!

Nearly Spring is complete! It is a seven-foot mosaic mural installed on New Year’s Day at the Free State Brewery in downtown Lawrence, Kansas.  The mosaic was a wonderful project and I am writing to give thanks to all of the people who were in one way or another a part of its creation.

 

Foremost I want to thank Chuck Magerl, proprietor of the Free State Brewery. He was wonderfully supportive throughout this project. He invited me to discuss the possibility of creating a mosaic for a particular spot in the brewery. Our first meeting was in December of 2012 and, while I was hesitant to take on a large-scale mural and had never even used mortar before, I left the meeting excited about the possibility and hoped to get the job.

 

The ideas for the mosaic grew out of several conversations with Chuck that meandered through broad topics, among them birds, water, and the Lawrence area’s landscape. These themes became core elements in the mosaic. Once we finished the design work I worked intensively on the mosaic for about five months. Chuck provided a place for me to work at the Free State’s eastside brewery, and also hosted an open house there so that friends and brewery patrons could see the mosaic’s development. Thousands-of-tiles-cut-from-ceramic-plates-and-adhered-to-panels later, I am grateful to Chuck for trusting me with the project and for his kindness, generosity, encouragement and help throughout the entire process.

 

A number of people greatly helped, too. Conrad Snider, a ceramic artist and friend in Newton, Kansas, provided extensive and detailed advice on everything from concrete board, mortar, and grout to how to build sturdy panels that would hold heavy tiles and yet be light enough to move and install.

 

Todd Pederson and Jim Lewis of Independent Woodcraft in Lawrence built panels for the mosaic that would fit exactly right in that stairwell spot. Todd and Jim also installed the finished panels with what struck me as remarkable ease.

 

Brit Kring of Kring’s Interiors in Lawrence contributed tiles for the mosaic and in his good-natured way, advice on mortar, grout, and how best to use them in a somewhat unorthodox application. Jana Flory of Krings Interiors also provided information and assistance.

 

When I first moved into my brewery-studio I felt like an interloper in this industrial setting. But the folks who run the brewery and the brewers and bottlers who work there were friendly and welcoming and soon I felt at home. They helped me in ways large and small with things like holding the door open while I hauled stuff in, raising my work tables onto blocks so that I could work standing up, tidying the place for the open house, designing and building a brace for the largest of my panels so that it would travel in the van safely, and on. So thank you Steve Bradt, Brad Scott, Eric McClelland, Lucas Hachmeister, Matt Luna,  TJ Campsey,  Rick Berger-Munson, Luke Otter, Patrick Raasch, Steve Rold and anyone else from the crew who might have assisted with the mosaic even without me knowing it.

 

600IMG_6053Carolyn Coleman, also of the Free State Brewing Company, made a lovely display about the forthcoming mosaic that was posted in the entryway of the downtown brewery.

 

Thanks to you friends for your conversations with me about the mosaic and for your support (especially Sara Stalling who got the first peek at my design ideas and Lokelani Braisted who sent all kinds of interesting mosaic process information my way), for your social media “likes,” comments, and encouragement, and for attending the mosaic process open house and making it a fun and successful event.

 

Thanks to Catherine Bolton, Nicholai Jost-Epp, Kathi and Randy Masten, Kristi Neufeld, Kamala Platt, Christy Dersch Schneider and David Schneider for giving me ceramic dishes, pottery, glass, porcelain shards and other special things to incorporate into the mosaic. In addition, Eric McClelland gave me a mussel shell and access to the Brewery’s hardware drawer for me to pick out a few small things to include, and TJ Campsey gave me a bottle with the Free State’s Prairie Falcon beer logo on it — so be sure to look for that little glass piece.

 

Lastly, I would like to thank my family. My parents, father-in-law, and brother never failed to ask me about how things were going on the mosaic and always expressed their excitement about it. And to my husband Chuck and son Nicholai, thanks for all your support and for picking up the slack especially after school, and for keeping me laughing during a few tough times — you two are the best.

 

For photos of the entire mosaic process, go to Free State Mosaic Process Pics on my Artist Facebook page

 
UPDATE: Please see Dave Loewenstein’s blog about the recent comings and goings of murals in Lawrence, KS, including murals by Stan Herd at the former Tellers Restaurant, KT Walsh at the Poehler Building, and me at the Free State Brewery.

Free State Brewery Mosaic

With my design-sketch as a guide in the background, I began the tiling process by placing colored tiles around the surface as a way to think about color combinations and placement.

After months of planning, the  large-scale mosaic that I am making for the Free State Brewery is in full swing! Follow my process in photos on my Facebook Artist Page.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

These are my first tiles adhered to the Hardibacker board -- cattails gone to seed.


To the Stars Through Difficulties

I am excited that a mosaic of mine will be on the cover of the forthcoming book To the Stars Through Difficulties: A Kansas Renga in 150 Voices.  The book will be available sometime in December, so stay tuned!

 

This collection of 150 poems, each one written as part of a collaborative whole, was edited by Caryn Mirriam-Goldberg, Kansas Poet Laureate 2009-13.

 

To the Stars Through Difficulties takes the form of a renga, a collaborative poem in which each participant writes in response to the one or two parts of the poem that came before. Each portion of the poem has been highlighted throughout the year (2012) on the blog 150 Kansas Poems.


(To the Stars Through Difficulties was edited by Caryn Mirriam-Goldberg; cover design by Leah Sewell; cover art by Lora Jost; interior design by Denise Low-Weso, Kansas Poet Laureate 2007-2009; poems by 150 writers who have a unique relationship to Kansas — its landscape and culture.)

 

“Art Lives!” in “Art Lives!” at CityArts of Wichita

Here is the story of Art Lives!, one of two pieces that I co-created with Erika Nelson for the collaborative exhibit Art Lives!, coordinated by Rachel Epp Buller of the Feminist Art Project.  Women artists from across Kansas were paired for this project to make both individual and collaborative artwork addressing the theme “Art Lives!” in light of the elimination of the Kansas Arts Commission a year ago.

 

Here is the process of how Erika and I made Art Lives!  We wrote an artist statement together, trading our writing back and forth to work on in the same way that we worked on the piece itself.  I begin:

 

Stage 1 –  Lora:

 

Erika and I began collaborating on two art pieces after exchanging a couple of emails and talking on the phone. Because we live hundreds of miles apart and still to this day have never met, we decided on a process in which we would each begin making a piece that we would then mail to the other for additional work.  We would mail the pieces back and forth until our deadline — one focused loosely on “politics” and the other on “art lives.” The process would be a conversation, a slow-moving, visual-heavy conversation about the state of the arts in Kansas.

 

I began our piece, that we eventually titled Art Lives!, by painting a baby bird held in someone’s hand. I had toyed with using this image in some of my own art ever since seeing a photo of a baby bird in a National Geographic magazine a couple of years ago that I had made sketches from. I think of the baby bird here as a stand-in for babies of all kinds who are both fragile and yet are amazingly strong and resilient. Was this bird dead or alive? Maybe that would be a good way to start a piece about the state of the arts in Kansas.

 

Stage 2 – Erika:

 

I saw the beginning of Art Lives! and thought about some of the conversations that had been occurring throughout the past year regarding the arts – when is it endangered?  When is it cared for?  Whose hand is that?  It brought to mind a Christmas visit to an area racked by the same issues, but with dire results.  On the banks of an inland sea, two shores exist.  On one shore, bird hatcheries and aviaries, on the other, a mass of death where the wildlife of the sea washes up to become a part of the beach – a beach made only of the remnants of the life that grows just on the other shore.  The bird image that makes up the second layer came from this second shore.

 

Stage 3 – Lora:

 

I had been curious how Erika would respond to my baby bird image, and getting the package in the mail with her visual response was akin to birthday mail. I immediately liked her overlay of the adult bird image, and read her note about where the image came from. While I hadn’t viewed this bird as death absolutely, the image did remind me of a photography project that had made its way around the internet a couple of years ago with photos of dead sea birds whose decaying bodies revealed all kinds of crazy human-made junk that the birds had eaten.

 

Already our image was complicated and I didn’t want another layer to visually clutter the piece. So I decided to include simply the outlines of two sets of embracing hands bordered in yellow, an image I had used in some past work to represent interpersonal support. Bringing women artists from across the state together to support each other as artists was one of the goals of the entire “Art Lives!” project. I felt that this goal had taken hold in our collaboration and I wanted to show this with the image of embracing hands.

 

Stage 4 – Erika:

 

As with the partner exchange being mailed back and forth, weekly, seeing the slip of paper in the PO box alerting me to a package became an exciting part of the process. This time, in seeing the interlocking and overlapping hands, seeming to strengthen and surround the lil’ bird in the center of the image, I thought about the cycles, the circles of life and death, inspiration and struggle, that were recurring themes in the process.

 

I added a swirling, emerging set of forms, derived from the same Christmas exploration as the Salton Sea bird.  Leonard Knight, a visionary artist working in a destitute and desperate area of the California desert, has created a colorful, playful, powerful mountain in the midst of this hard place – a multicolored mountain of adobe and castoffs and paint. The bird forms used in Art Lives! come from the millions of soaring birds that pepper the mountain, appearing in every surface of Leonard’s work.  Their simple innocence of flight, and the marriage of bird-yet-human form seemed to be a connector for the hands and birds in the collaboration, as well as bringing the life/death cycle to the desiccated bird form from Stage 2.

 

Stage 5 – Lora:

 

At this point we evaluated our project over the phone and decided that it was at a comfortable stopping point. And our time was up. I liked the way that Erika’s energetic birds-in-robes (maybe even in bathrobes) seemed to come from death and encircle the baby bird giving the whole piece a sense of regeneration. I added some light blue marks into these robed beings to make a visual connection to the original baby bird. It was also time now to glue down “little guy,” a dead baby bird that Erika had found somewhere and painted blue, that we had mailed back and forth a couple of times for contemplation. The real baby bird added something visceral and tangible to the work.

 

We agreed that I would mount this piece and that Erika would bring our Brownback- collaboration to its conclusion.  After casting about for how to mount it (frame it? stretch it?), I decided to simply paint a solid piece of plywood and glue the canvas to the board with acrylic gel medium.  I’ll spare you the details of my various mounting missteps and simply note that I am pleased with how the piece came out, and I like the way the canvas is set off visually by the black and stippled background.

 

(Also read about Brownback Puppeteer, a second piece that I made in collaboration with Erika Nelson for Art Lives!, and On With the Show, a scratchboard piece I made for the exhibit.)

1109 Gallery Exhibit (and upcoming shows)

Headwind (available)

Strange birds are visiting my imagination, and although these are caught in a strong headwind, you might also enjoy the bird-oid I made playing in a fountain, on display at the 1109 Gallery (1109 Massachusetts, Lawrence, KS) from November 11 – January 10, 2010.  Everyone is invited to the opening reception on November 14, from 7 – 9 pm.

I would also like to invite you to see my work at Bethel College in N. Newton, KS in March, 2010, and at the Percolator Gallery in Lawrence, KS in either May or June of 2010.  More information on these exhibits will be coming soon

The Latest

January

I wanted to make a piece of art based on the iconic image of blackbirds sitting in a winter tree. I photographed the perfect tree during a visit to Newton, KS, this winter, and used that photo as a point of departure for this piece. The piece, a mixed-media collage using fabric, embroidery thread, and acrylic paint, is 2′ x 2′.